The rants and raves of a teenage cinephile who is just a little bit obsessed with Catherine O'Hara and Hayao Miyazaki.
Showing posts with label OOH PRETTY. Show all posts
Showing posts with label OOH PRETTY. Show all posts

Wednesday, January 19, 2011

I Am Love, and a Perspective on Perspective


I think it'd be fair to call Luca Guadagnino's film "I Am Love" one of the most critically hypeds of the year. On the internet at the very least, it seems as though everybody who watches it falls head-over-heels with it. So, by the time I finally got around to watching it, I already had this expectation - this idea in my mind that I was going to be simply blown away. As a consequence of this expectation, I also developed a tinge of unwarranted bitterness towards the film. Quite simply, though I was expecting to be blown away, I think a subconscious part of me wanted to dislike the movie, so I could emerge as one of its few detractors.

This is, probably, why it took me so long to really develop an opinion on the film. Immediately after watching, though I was enthralled by the closing scene, I was already formulating what I believed to be the negatives in my head. Of course, it wasn't very easy to think of negatives, but I managed to scrounge a few up - "the story was cliche," I thought, cynically. "Too much melodrama - it's a boring premise cloaked in pretty cinematography and acting." I further went on to think, "if it wasn't Italian, and if Tilda Swinton wasn't the lead, nobody would care."

But, something felt false about these assertions. Namely, the fact that in reality, I didn't actually believe my own "opinions". Instead of officially denouncing the film with a review, I decided to let it simmer, and like the food in the film, the more it did so, the tastier it seemed. The things I liked about the film began to emerge. Tilda Swinton was, as usual, fabulous, in a language that wasn't even her own. Her conflicted and complicated Emma was a brilliant creation.

Besides Tilda, there were other fantastic things about the film that kept nagging away at my more bitter side. That cinematography, that art direction, that score, that Alba Rohrwacher, that final scene - especially that final scene. I began to realize that perhaps, I loved the movie more than I initially allowed myself. The "cliche" story and the melodrama began to seem less and less like issues, and instead, things that allowed the romance to blossom from the film's own cinematic beauty. Even the particular plot point near the end that I once considered ridiculous seemed like a non-issue.

So here I am now, proclaiming that in fact, I find "I Am Love" to be a gorgeously crafted piece of cinema, a romance whose surface simplicity is in no way a hindrance. The characters are complicated, and interesting - the fact that the movie is able to feel so minimal is a testament to how masterfully it was directed. As I said above, Tilda Swinton, who gave my favorite female performance last year, does marvelous work which is to be expected. Alba Rohrwacher's
absolutely devastating final glance at the camera is probably one of the best shots of the year. It's a gorgeous film.


All that aside though - how much can reviews and, perhaps even a little bit of blogging-peer-pressure, affect our perspective of a film? I had to cross this wall that I'd built for myself in order to truly discover how I felt about "I Am Love" and I find it strange that I couldn't respond to my feelings directly. How do you cope with pre-watching buzz and expectations? Respond below, I find this to be a rather interesting and relevant topic for all of us who want to intelligently and personally watch and experience cinema.

Sunday, May 23, 2010

2009: The Pretty Stuff

More nostalgia...this time the stuff that made my eyes happy. Haha!

Costume Design

I would also like to mention that 500 Days of Summer has wonderfully designed costumes, which is an achievement considering that it's "21st century" and that usually doesn't excite people as much as the period flicks do.


Art Direction


Cinematography

This was really tough...Nine, Bright Star, and then Fantastic Mr. Fox and Coraline also had quite notable cinematography. I just want you all to know though - I ADORE the cinematography from "The White Ribbon".

Tuesday, April 13, 2010

Bright Star (2009)

I finally watched it!!! "Bright Star" was such a hit on the blogosphere I felt like I was the only one who hadn't seen it. But thankfully, enough people recommended that I watch it and I had a major incentive to go ahead and finally do it.

So in case you didn't already know, "Bright Star" is the rather quiet story of a love affair that developed between the doomed poet John Keats (Ben Whishaw) and a fashionable young woman, Fanny Brawne (Abbie Cornish).

Really, one of the most surprising things about this movie was how quiet and subtle it was. I'm so used to period dramas where the guys are all prideful and proper all the time and all the girls are constantly screaming or crying about stuff. But no, this one was different - Keats is a frail hero, and Abbie is a strong girl. Their love is never gratuitous, the emotions never over the top, and instead, it's all presented so realistically and beautifully.

Obviously the biggest credit goes to Jane Campion's direction, and the absolutely wonderful performance by Abbie Cornish. She definitely deserved at least a nomination last year at the Oscars. And the little girl who played Toots...she was perfect. The cinematography is also gorgeous, and the costumes...oh my goodness! The costumes!!! They were phenomenal. At least Oscar had the eyeballs to nominate those.

Oh and the score was very, very pretty.

However, I will say that the story was not super compelling. It was highly wordy (though, the words were lovely) but not a lot happened between each sentence. Though...I was never really bored. I didn't mind the wordiness; those whispered conversations. Then again, I do feel the movie ended too abruptly.

I did not fall head over heels in love with the movie, but it was still an absolutely breathtaking film visually, and a refreshingly subtle diversion from the usual period film that I have grown accustomed to seeing. Great recommendation everyone! And now I don't feel like the only blogger who hasn't seen it.

8/10

Now just a bit more eye candy...



What did you think of Bright Star? I know you've all seen it! ;)