Golden Cornea Awards 2011: The Screenplays

Screenplays are the basis of the film - without a good screenplay, there's really nothing that can redeem a film. This year was full of really good writing, so now a few of my faves.

Adapted

5. True Grit - Joel Coen, Ethan Coen

The Coen Brothers consistently bring great writing to the screen. "True Grit" is not only rife with great period language and dialogue but it's also chock full with great characters and trademark Coen Brothers humor. Not to mention the perfect structure.

4. Winter's Bone - Debra Granik, Anne Rosellini

Similarly to "True Grit", "Winter's Bone" is full of colloquial dialogue and terminology which is an accomplishment on its own. But the script's greatest accomplishment is its minimalist structure which allows the emotional shocks in the arc to stand out shockingly and perfectly.

3. Rabbit Hole - David Lindsay-Abaire

Grief is such a difficult theme for the movies to get right - but "Rabbit Hole" is pretty much perfect. Lindsay-Abaire never lets his characters wallow in their situati

on, instead treating them like the real people that they are. The script also finds unexpected humor that makes the emotional parts so much more painful. The seamless transition from stage to screen is also a great accomplishment.

2. Scott Pilgrim VS The World - Michael Bacall, Edgar Wright

It's no easy feat to get a successful, memorable one-liner into a screenplay. However, Bacall and Wright were able to make almost every single line in "Scott Pilgrim" into one that you can quote innumerable times after the credits roll. However, the quirky and amazingly funny dialogue is just the icing on the cake that is the simple, adorable and timeless story of a boy who will do anything to be with the girl he loves.

1. The Social Network - Aaron Sorkin

There's not much I can say about this script that hasn't already been said - the dialogue is brilliant, the characters are fantastically fleshed out and the structure is simply perfect. Sorkin's script will assure this film's status as an instant classic.

Honorable Mentions: "127 Hours"'s screenplay balances Ralston in and out of the pit perfectly; "How to Train Your Dragon" might be a bit cliche but it still never takes the easy way out.

Original

5. The Kids Are All Right - Lisa Cholodenko, Stuart Blumberg

Cholodenko and Blumberg craft a touching, creative and unique portrait of an alternative family, perhaps most effectively by treating them like any other family. Not to mention that the film is so funny.

4. The King's Speech - David Seidler

David Seidler's captivating screenplay is just another one of the reasons that "The King's Speech" defies some of the convention that it could have easily fallen into. Seidler humanizes each character and never loses an opportunity for humor, pathos or an appropriately timed zinger of dialogue.

3. Please Give - Nicole Holofcener

"Please Give" could so easily have come off annoying or too quirky for its own good. However, Holofcener's genius script avoids these possible pitfalls by thoroughly developing and shaping each character so well, and never losing anyone's plotline in this truly ensemble film. The dialogue is impeccably funny and smart, and the sensitive heart at the film's center is unflinchingly real.

2. Animal Kingdom - David Michod

Obviously my favorite thing about "Animal Kingdom" is Jacki Weaver but had David Michod not crafted such a fascinating, layered, and complex screenplay for her to work with, "Animal Kingdom" would not have been as successful or as fantastic as it was. Michod's crime drama tackles so many themes with passionate energy and underneath it all is a fantastic and rare emotional core.

1. Dogtooth - Giorgos Lanthimos, Efthymis Filippou

Based purely on creativity, "Dogtooth" is already one of the best films of the year. But not only does it have a ridiculously interesting concept, it totally delivers on that concept without ever alienating the viewer. Lanthimos and Filippou's bizarre (in the best sense of the word) work succeeds as satire, horror, and family relationship drama equally well and will surely last the test of time.

Honorable Mentions: "Greenberg" is so well written and it just nearly missed the top 5, but even the film's nearly unlikeable characters are portrayed so sympathetically; "Toy Story 3" relies on the first two films for a lot but it's still an original and creative piece of work with the perfect ending; "Solitary Man" has some amazing dialogue, along with some really interesting characters; I know a lot of people despise it and even though it really seems inconsequential, "You Will Meet a Tall Dark Stranger" is still a really well-written and funny piece by Allen; "Morning Glory" is more adorable, funny and emotionally engrossing than it had any right to be thanks to its screenplay.

Golden Cornea Awards 2011: The Supporting Actresses

Hm, this is perhaps my most "alternative" category, as almost none of my top five received as much mainstream praise as they perhaps deserved. I do think it was a very strong year though, with a really fantastic variety of performances from a whole group of fantastic ladies. So, my personal favorites!

5. Amy Adams - "The Fighter"

I honestly think Amy Adams can do no wrong, though playing against type seemed like a risky gamble for her. However, she totally pulls it off and then some. Charlene is such an interesting character, thanks heavily to Adams's complex and multilayered performance. She never takes the easy way out and even through her thick accent she has an irresistible heart and moxie that transcends the typical "supportive girlfriend" role that she was given.

4. Dale Dickey - "Winter's Bone"

Dickey's performance is simply frightening as Merab. She's a conflicted character - it's obvious that she cares about Ree, but her loyalty to her family comes first. Just watch as Dickey changes from protective matron to helpful friend from beginning to the end of the movie, it's a fantastic arc. Her haunting and expressive eyes seal the deal.

3. Naomi Watts - "Mother and Child"

"Mother and Child" is, as I mentioned before, full of fantastic performances. But Naomi Watts is particularly notable because of how much her performance simply should not have worked. On paper, her arc is borderline ridiculous. However, Watts makes her character powerfully real, human and believable. Her change from beginning to end is simply beautiful to watch and that elevator scene...perfection.

2. Ellen Wong - "Scott Pilgrim VS the World"

You can read my full thoughts on her here. Simply, Wong steals the movie from the rest of the uber-talented cast and creates an unbelievably loveable, beautifully sensitive and perfectly funny. I just can't get enough!

1. Jacki Weaver - "Animal Kingdom"

Oh my goodness, I can't even begin to describe this performance in words. Weaver is always in the background, always watching over her children, always an ever present force that drives the rest of her family. She's not perfect - she's manipulative, she's definitely a criminal, but she's no villain. Above all she loves her sons and will do anything for them. Weaver's Smurf is so effortlessly complex that her motives and actions can simply not be shaken from your mind. Weaver is truly a force of nature.

Honorable Mentions:

Okay, there will be a lot, so prepare yourselves. In "Black Swan", Mila Kunis slides effortlessly in and out of each of her scenes, with a natural ease that is unmatchable, while Barbara Hershey is a frighteningly powerful and even sympathetic force onscreen; Rebecca Hall is just the right amount of pathetic and loveable in "Please Give"; Kirsten Dunst single handedly saves "All Good Things" with a devastating and truly emotive performance (cast her NOW!). Dianne Wiest is fantastic as embodied grief in "Rabbit Hole"; Kerry Washington gives a wonderful, and perhaps the most interesting, performance in "Mother and Child", even when her character's being a total bitch; Marion Cotillard provides the complete heart and soul of "Inception" and her Mal is a fascinating force of primal emotion; Melanie Laurent's role in "The Concert" may be small but she does so much with it; I wasn't much a fan of "City Island" but Emily Mortimer is joyously cute and yet perfectly complicated; I thought Melissa Leo's performance in "The Fighter" was kind of all surface no substance but my oh my, what a surface it was.

Almost Made It:

Kristen Stewart in "The Runaways", Lucy Punch in "You Will Meet a Tall Dark Stranger", Tammy Blanchard in "Rabbit Hole", Helena Bonham Carter in "Alice in Wonderland", Anna Kendrick in "Scott Pilgrim VS The World", Ann Guilbert in "Please Give"

Wow, so many ladies to mention I just couldn't stop myself. In case I haven't covered someone, who were your favorites? You know the drill, comments below! :)

Oscar Nomination Day Laughs and Tears

DUDE DID YOU HEAR THE OSCAR NOMINATIONS WERE ANNOUNCED TODAY!!! OMG

Anyway, needless to say, like everyone else this year's slate of nominees gave me some things that made me really happy and also some things that made me not so happy. Though, honestly, more of the former than the latter. So, here's what I thought of the noms.

Things That Made Me Smile

• JACKI WEAVER. Sure, it came at Mila Kunis's expense (or was that Hailee Steinfeld's fault) but since Weaver was kind of iffy it made me so happy to hear her name being called. I can't wait to see her on Oscar night.
• JOHN HAWKES. What a very pleasant surprise! Jennifer Lawrence is fantastic but it's Dale Dickey and Hawkes that really shine in "Winter's Bone" so I'm glad to see at least one of them getting recognized.
• "How to Train Your Dragon" and "The Social Network" in Best Score. In fact, that whole Best Score category is pretty good. The music branch didn't screw it up too badly, did they! But those two are particularly deserving (more thoughts on this category later).
  
  
  What would "How To Train Your Dragon" have been without it's stellar John Powell score?
  
  
• "Dogtooth" in Best Foreign Film. HELLLLL YESSSSS.
• The Christopher Nolan snub. I know I'm going to get a lot of hate for that, and honestly I do feel sorry for the guy, but he was the weakest link in that category and though Id've preferred the spoiler to be Debra Granik or Luca Gaudagnino or someone like that the Coen Bros. are totally deserving.
• "Exit Through the Gift Shop" in Best Documentary. So, the Documentary branch has proven that they don't just care about relevant subject matter, and that they just award really good documentary filmmaking! Yea!
• "I Am Love" in Best Costumes. I think it speaks for itself, but the Costume Branch always seems to throw a bone to movie bloggers (remember "Bright Star" last year? heh)
  
  
Ooooh so pretty!


• Michelle Williams bringing the otherwise sadly ignored "Blue Valentine" to at least one nod. I wish it had been Ryan Gosling but I'm super happy for her since the performance was wonderful and she totally deserves it.
• The fact that I predicted 10 out of 10 in Best Picture. I mean, not that it was that hard, but still.

Things That Made Me Frown

• The lack of "Scott Pilgrim" in the visual effects category. I don't want to call it a snub because maybe it was never that realistic to begin with but it's a real pity.
• Andrew Garfield's snub. I suppose this is John Hawkes's fault and I'm happy for him but Garfield gives a fantastic performance and it's depressingly ironic how he was shafted, just like Eduardo in the movie.
• The Best Song category. I didn't really have any favorites going in but that group is really weak. I think this category becomes increasingly irrelevant as the years go along...
• Julianne Moore's "snub". The more I think of it, the sadder it is. In my opinion, Moore's performance is superior to Annette's and she is just as overdue as Bening, if not more so. It's odd how out of the two performances, it was Bening's and not Moore's that took off. I think Bening is totally deserving but I wish they'd gone for two leading lady noms from the same movie this year.
  
  
It's okay Julianne. You'll get your Oscar soon.


• Mila Kunis won't be an Oscar nominee. I'm totally okay with her not getting nominated (duh, Jacki Weaver), but the idea of her being an Oscar nominee was so awesome to me. Plus, what clip would they have used for her? HA!

So there you have it. All in all, it's a pretty satisfying group of nominees and I can't wait for the big night. Comment below on your reactions to the big announcement! :)