Golden Cornea Awards 2011: The Supporting Actors

Gosh, this was tough. I kept rearranging and rearranging - needless to say it was a good year. My honorable mentions might have found their way into my top 5 on any other day, it was just so competitive.

5. Andrew Garfield - "The Social Network"

As the heart of the film, Garfield is a revelation. He gives Eduardo so much charisma and heart, but he's not afraid to bring out the flaws in his character as well. He's sympathetic but not pathetic, and that's Garfield's greatest achievement.

4. John Hawkes - "Winter's Bone"

Hawkes is frighteningly good as Teardrop in "Winter's Bone". There is no Hawkes, there is only Teardrop and he is a force of nature without ever stealing the spotlight from Jennifer Lawrence. The amount of expression in his eyes is breathtaking.

3. Won Bin - "Mother"

As Mother's criminally accused son, Won Bin is perfect at being slightly off, yet still so sympathetic. Do-Joon is definitely hiding something but Bin keeps us guessing until the very end. A surprising and memorable performance.

2. Mark Ruffalo - "The Kids Are All Right"

It's really quite remarkable, what Mark Ruffalo did in "Kids". Ruffalo effortlessly turns Paul into such a complex character - he's the definition of a man child, and yet he's not immature. His arc is absolutely perfect and his chemistry with every member of the cast is such a joy to watch.

1. Geoffrey Rush - "The King's Speech"

I was truly awed by Rush's fantastic work in "Speech". Rush is usually known for being crazily over the top but as Lionel Logue, he's remarkably subtle. His audition scene near the beginning of the movie is simply brilliant and it defines his character - a man who has to help others in order to help himself. Remarkable.

Honorable Mentions:

Oh, how it kills me to not be able to mention these guys! Kieran Culkin is hilarious and yet, so sensitive in "Scott Pilgrim"; Samuel L. Jackson gives an uncharacteristically emotive and human performance in "Mother and Child"; Matt Damon is so funny, but also so endearing in "True Grit"; Michael Shannon is so full of sleazy, over-the-top goodness in "The Runaways".

Just Missed It:

Mark Webber in "Scott Pilgrim", Vincent Cassell in "Black Swan", Luke Ford in "Animal Kingdom"

What are your thoughts on this category? It was a fantastic year for supporting men, eh? Comments are welcome as always! :)

Best Score Ranking: 2010

Here's my personal ranking of this year's crop of Best Score nominees. For those of you who want to read more about these scores and what I thought of them (albeit, in a much more objective light) you can check out my post for LAMB Devours the Oscars!

5. 127 Hours - A.R. Rahman

I really think the score enhances the film though if you compare it to the others, it just seems a bit amateurish. Rahman is forced to be more traditional and unfortunately it doesn't quite work as well as "Slumdog Millionaire".

4. Inception - Hans Zimmer

Oh, Hans. I've said it before, Hans Zimmer can only write loudly and unfortunately it begins to get tiresome. I also wasn't a big fan of the movie itself. However, his style works well for "Inception", and for the most part it's a very successful score that creates a mood. It's also very important to consider that it has become really iconic since the film's release.

3. The King's Speech - Alexandre Desplat

Alexandre Desplat is never bad - this is certainly lesser work but it's still quite lovely and so, so effective. I love Desplat's orchestration...the instruments are so beautifully mixed and mingled and the tender sound is so lovable. It's not his best work, not even his best from the year but it's still amazing how unique it is.

2. How to Train Your Dragon - John Powell

In my opinion, Powell's score is the best part of HTTYD, which as you all may know, I majorly loved. The sweeping epic strings are traditional but beautiful. Powell has a lot of great moments to work with and be flashy, and his tender and fun score makes the movie soar.

1. The Social Network - Trent Reznor and Atticus Ross

Okay, I love this score. I'd call the "Hand Covers Bruise" theme the best opening movie theme since, like, "Lord of the Rings" or "Harry Potter". Every single piece of this score is just so, so effective and not only that, but it stands alone marvelously. A unique, fantastic masterpiece.

Should Have Been Nominated: Honestly, from the eligible scores, I think this was the best possible lineup (I haven't seen "The Ghost Writer"), except the snub for Rabbit Hole (Anton Sanko). Ineligible scores that I personally love include I Am Love (John Adams), True Grit (Carter Burwell), Black Swan (Clint Mansell) and Scott Pilgrim VS the World (Nigel Godrich).

Check out the updated overall ranking!

What were your favorite scores of the year? Sound off below!

Golden Cornea Awards 2011: The Ensembles

There's nothing like a great cast to make a movie wonderful. This year was full of fantastic feats of ensemble acting, so without further ado, my favorites from 2010.

5. The Concert

Though the advertising campaign will have you believe that this movie is all about Melanie Laurent, tis not the case - though she's lovely in her small role, it's the rest of the cast that breathes such a whimsical life into the film. Be it the goofy Valeri Barinov as the Communist sympathizing manager or the entire crowd of gypsy musicians this wonderful group had a lot of fun, and thus, so did the audience.

4. Mother and Child

The script may have been a bit contrived but thanks to the wonderful performances by the whole cast, "Mother and Child" excels. Bening, Watts and Washington make for great leads but Samuel L. Jackson, Shareeka Epps and Cherry Jones, along with the rest of the supporting players, all give their parts so much more depth than expected.

3. Please Give

This cast of droll and almost unanimously unlikable characters could have been ridiculous or grating. Intsead, Keener, Hall, Platt, Peet, Guilbert and Steele are funny, lovable and work off of each other so remarkably well.

2. The Social Network

Sorkin's dialogue is brilliant, yes, but without the fantastic delivery by every member of the cast, there would not have been the fireworks that there were. And not only do Eisenberg and Garfield do well, but so do the smaller players - Timberlake is surprisingly good, Jones and Song make the most out of their small roles, Hammer is fantastic and Mara is a raw emotional turning point. Simply marvelous.

1. Scott Pilgrim VS The World

Well of COURSE! There's just too much brilliance in every moment of every scene thanks to this amazing cast to be written down in words. I could easily write a paragraph about how great every member of the cast is - Cera, Winstead, Kulkin, Wong, Pill, Plaza, Kendrick, Larson, Whitman...ahhhh. This cast is teh epic.

Honorable Mentions: I do think that Jacki Weaver unabashedly steals the show in Animal Kingdom but the rest of the cast is really quite fantastic as well; Dogtooth's ensemble is marvelous at being both creepy yet surprisingly sympathetic; Winter's Bone is a great spotlight for Jennifer Lawrence but the supporting players hold up remarkably; Greenberg's main trio of Stiller, Gerwig and Ifans is great and it's supported well; Black Swan belongs to Portman but her costars surround her brilliantly; The Fighter is an ensemble piece at its best and those sisters are irresistible!

This was a tough one! What were your favorite ensembles this year?

Golden Cornea Awards 2011: The Art Direction

To finish out the technical categories, I bring you the art direction.

5. David Stein - "Black Swan"

Goodness, is there any single set more brilliantly designed than the Sayers's apartment? It's so claustrophobic, sickeningly pink and uneasily scary. The more subtle designs, such as the ballet company and those stairwells, are subtly marvelous as well but that apartment is just...amazing.

4. Dante Ferretti - "Shutter Island"

Designing a mental institution must be such a fun assignment for any art director. "Shutter Island"'s castle is epic and frightening, but the smaller sets work too - don't those prisons just feel endless? - and even the interiors are gaudy and brilliant.

3. Elli Papageorgakopoulou - "Dogtooth"

Wow, what a name. Anyway! It's one location for almost the entire film, but what a perfect location it is. The walls are just a bit too white, the grass is just slightly too green, the ceiling just a little bit too high - everything is "perfect", yet at the same time, so frighteningly off. It's just a regular house, but there's a marvelous unease.

2. Nadine Herrmann - "I Am Love"

Those lush country vineyards, those spiraling staircases and those lush mansions...every single set piece in this film is a beauty as intricate and carefully designed as the costumes. It's just another piece of Guadagnino's marvelous aesthetic.

1. Eve Stewart and Judy Farr - "The King's Speech"

Yes, I went for the predictable choice - but it is deserving. Everyone keeps mentioning "the wall" in Logue's office and it totally deserves to be mentioned. In fact, that and the rest of the sets in the film are all so wonderful and interesting it's impossible to look away.

Honorable Mentions: Scott Pilgrim Vs the World's art direction gracefully captured the spirit of its characters, especially in that Chaos Theatre; I'm not sure if it counts as "art direction" but Summer Wars was such a visual feast that I had to mention it somewhere; True Grit's old-west landscapes are so, so solid; I didn't love Inception but it definitely deserves praise in the art direction department.

What were the most well designed films in your opinion? Comment!

Golden Cornea Awards 2011: The Cinematography

The awardage continues! Now one of my favorite categories, cinematography. I'm telling you, if a sucky movie has amazing cinematography, I'll love it. ;)

5. Bill Pope - "Scott Pilgrim Vs the World"

I know it seems like "Scott" has shown up everywhere but it does deserve it, haha. Pope's work is fun and colorful but also surprisingly sensitive (that shot of Scott and Ramona on the swings, for example) and the action sequences are perfectly absorbing thanks to his focused camerawork.

4. Anthony Dod Mantle - "127 Hours"

"127 Hours" was no easy feat for a cinematographer - after all, you're trapped in a small crevasse for most of the movie. Yet, Mantle rises and surpasses this challenge. We feel just as trapped as Ralston - and when the sunlight touches his foot, we feel it too. Also, notice how the beautiful colors begin to fade as the hours pass...a subtle but wonderful touch.

3. Kyung-Pyo Hong - "Mother"

What I love most about Hong's work on "Mother" is how perfect his color scheme is. The monochromatic tones allow the frightening injections of red (blood, Mother's clothing) to stand out beautifully. The closing shot and opening shots are especially unbelievable.

2. Yorick le Saux - "I Am Love"

There's no questioning the artistic merit of "I Am Love" and the cinematography is one of its greatest assets. Every scene is so gorgeously lit and shot that it's impossible to look away - Le Saux knows what beauty is and works it in so well.

1. Matthew Libatique - "Black Swan"

Libatique masterfully frames every shot of "Black Swan" with beauty and power. We swirl with Nina while she dances, stalk her as she walks, and descend into madness just as she does because of the camera's absorbing lens.

Honorable Mentions: It was such a good year for cinematography, that it's actually sad that I couldn't include the wonderful work on True Grit, Shutter Island or The Social Network, all three of which might have made this list on any other day! Other notable efforts include The King's Speech and Greenberg.

What movies were your cinematographic favorites this year? Let me know in the comments! :)

Golden Cornea Awards 2011: The Editing

I do apologize for the snail's pace at which these awards are being handed out. Unfortunately it's been kind of crazy around here at chez Robert, but I promise to speed things up a bit. Anyway, on to the editing!

5. "Scott Pilgrim Vs the World" - Jonathan Amos and Paul Machliss

Obviously this is the most fun entry on the list - sure, it's unapologetically flashy but the great comic-book editing enhances and adds its o

wn injection of humor. Without the brash work of Amos and Machliss, "Pilgrim" would not have been half the fun that it was.

4. "127 Hours" - Jon Harris

Claustrophobic, fast-paced and exhilirating, Jon Harris's editing matches and even exceeds Danny Boyle's vision. And yet, we never lose a minute of the emotion, and Aron Ralston is always and rightfully the focus.

3. "Exit Through the Gift Shop" - Tom Fulford and Chris King

Any self respecting documentary should have good editing, and "Gift Shop"'s editing certainly exceeds that requirement. The seamless and masterful integration of Guetta's indie footage, interviews and narration gives the doc its perfect and unhaltingly fast pace.

2. "Black Swan" - Andrew Weisblum

A flashy display of editing, "Black Swan" swirls along with frightening intensity augmented by the tight and slick cuts. Not to mention the in-your-face shock scares that'll make you jump out of your seat.

1. "The Social Network" - Kirk Baxter and Angus Wall

The impeccable pace of "Network" can be attributed greatly to its masterful editing. The timeline hopping and quick-fire conversations are riveting and undeniably brilliant.

Honorable Mentions: Coen Bros. films are always greatly edited so it's no surprise that True Grit is so well cut; Inception mixes its dream layers with masterful skill and precision; It may not seem like much but The King's Speech is as absorbing as it is thanks much to its editing; every shot in Mother is unbearably precise and tense.

What were your favorite editing achievements of the year? As always, thoughts are more than welcome down below! :)

Golden Cornea Awards 2011: The Costumes

I'm not going to pretend to be a connoisseur of fashion or anything, but I can definitely tell you what I like and dislike and movie costumes, when done well, can be extremely enjoyable eye candy. So, without further ado, 2011 in costumes...

5. Jacqueline West - "The Social Network"

At first it may not seem like much, but this subtlety is its greatest strength. Every character is dressed marvelously and the integration of the costumes with the rest of the narrative is seamless.

4. Laura Jean Shannon - "Scott Pilgrim VS the World"

Every colorful and often over-the-top costume in "Scott Pilgrim" is perfectly suited to the character that wears it. Shannon suits Scott in the perfect band shirts, Knives in the most adorable of Catholic school girl uniforms, and Ramona in perfect hipster chic. Every costume is so much fun to behold!

3. Mary Zophres - "True Grit"

The film doesn't have many costumes, but the ones it does have are simply marvelous. The way that Mattie's clothes are always just a little bit too big and way that LaBeouf's uniform seems to both match and betray his persona are just a couple of Zophres's wonderfully solid achievements.

2. Antonella Cannarozzi - "I Am Love"

The costume design nomination for Cannarozzi at the Oscars was surprising, but totally and utterly deserved. Never before has Tilda Swinton looked so fabulous as in this film, and like "The Social Network" Cannarozzi fits the characters so well, contrasting the stoic suits of the Recchis with the colorful outfits of Emma. Perfection.

1. Carol Beadle - "The Runaways"

This may seem like an off kilter choice for the best costumes of the year, but simply watch the movie and you'll see what an accomplishment they are. Beadle not only captures the era perfectly, but is able to costume the film's characters with a unique voice and vision, too often lost in period recreations. But perhaps best of all is that the costumes, while brilliant, never distract from the movie, and that is the most important accomplishment.

Honorable Mentions: Black Swan's gorgeous and often demented costumes just barely missed this list; I don't think they're very unique but The King's Speech still dresses its characters well; Obviously it's not hard to make Marion Cotillard look stunning, but her black dress in Inception was perfect and the rest of the cast looks really spiffy too.

Surprised by my choices? What were your favorite costumes of the year? Sound off in the comments!